School: Western Australian Academy of Performing Arts

This unit information may be updated and amended immediately prior to semester. To ensure you have the correct outline, please check it again at the beginning of semester.

  • Unit Title

    Foundations of Movement for an Actor
  • Unit Code

    ACT1003
  • Year

    2016
  • Enrolment Period

    1
  • Version

    2
  • Credit Points

    15
  • Full Year Unit

    N
  • Mode of Delivery

    On Campus

Description

This unit examines how movement and acting relate and how each student can improve the quality, grace and expressiveness of their physical work as an actor. Students learn to better understand how they move and improve their balance, breath and alignment as well as safely and theatrically creating dynamic and expressive movement. Students are expected to observe, embody and transform into character both the human form and a detailed animal study. The unit calls for a creative release that is non verbal and physically eloquent. The classes are playful, inventive and varied. Classes in acrobatics, martial arts and dance and the Feldenkrais Method are included alongside theatrical movement. These classes will refine the student's perception of movement and lay the groundwork for the deeper study of the embodied actor.

Learning Outcomes

On completion of this unit students should be able to:

  1. Demonstrate acrobatics and martial arts ability.
  2. Display freedom of movement in expression using grace, balance and range of movement with self awareness of body/mind organisation.
  3. Execute dance sequences in an ensemble and in duo.
  4. Respond to observation exercises imaginatively and adjust rhythm and form to enable transformation.
  5. Use the Feldenkrais Method to analyse how the distinguishing features of their alignment influences their movement, breath and balance.
  6. Work safely with a partner.

Unit Content

  1. Alignment, breath and the senses.
  2. Choreographed contemporary dance.
  3. Expressive studies of movement imagery.
  4. Martial arts, `ki' and connected strength, gymnastic falls, rolls and balances.
  5. Mimicry and detailed embodiment.
  6. Safety in movement.
  7. Study of animals and a detailed study of two.
  8. The Feldenkrais Method.
  9. The study of the walk.
  10. Transformation into character.

Additional Learning Experience Information

Movement classes in specialist movement studio, Field work, Intensive workshop, Small group activities, pair work and solo exercises, Video recording for critical analysis and self reflection, Performance of animal study in a studio to WAAPA students and staff, Debriefing, feedback and class discussions, Awareness Through Movement classes (Feldenkrais Method), Self study with regard to alignment and movement.

Assessment

GS2 GRADING SCHEMA 2 Used for performance and/or practical based units

Students please note: The marks and grades received by students on assessments may be subject to further moderation. All marks and grades are to be considered provisional until endorsed by the relevant Board of Examiners.

ON CAMPUS
TypeDescription
ProjectStudy of a Specific Movement Approach (eg Animals)
ExerciseIn Class Assessment of Movement Practices
PerformanceIn Class Presentation of Technical Skills (eg Dance/Acro)

Text References

  • Yakim, M. (1996). Creating a character: A physical approach to acting. Applause Theatre Books.
  • Marshall, L. (2002). The body speaks. (2nd ed.). London: United Kingdom. Palgrave Macmillan.
  • Adrian, B. (2008). Actor training the Laban way. New York: USA. Allworth Press.
  • Dennis, A. (2002). The articulate body. New York: USA. Nick Hern.
  • Potter, N. (Ed.). (2002). Movement for actors. New York: USA. Allworth Press.

Journal References

  • The Feldenkrais Journal.
  • Theatre, Dance and Performance Training.
  • Performing Arts Journal.

Disability Standards for Education (Commonwealth 2005)

For the purposes of considering a request for Reasonable Adjustments under the Disability Standards for Education (Commonwealth 2005), inherent requirements for this subject are articulated in the Unit Description, Learning Outcomes and Assessment Requirements of this entry. The University is dedicated to provide support to those with special requirements. Further details on the support for students with disabilities or medical conditions can be found at the Access and Inclusion website.

Academic Misconduct

Edith Cowan University has firm rules governing academic misconduct and there are substantial penalties that can be applied to students who are found in breach of these rules. Academic misconduct includes, but is not limited to:

  • plagiarism;
  • unauthorised collaboration;
  • cheating in examinations;
  • theft of other students' work;

Additionally, any material submitted for assessment purposes must be work that has not been submitted previously, by any person, for any other unit at ECU or elsewhere.

The ECU rules and policies governing all academic activities, including misconduct, can be accessed through the ECU website.

ACT1003|2|1

School: Western Australian Academy of Performing Arts

This unit information may be updated and amended immediately prior to semester. To ensure you have the correct outline, please check it again at the beginning of semester.

  • Unit Title

    Foundations of Movement for an Actor
  • Unit Code

    ACT1003
  • Year

    2016
  • Enrolment Period

    2
  • Version

    3
  • Credit Points

    15
  • Full Year Unit

    N
  • Mode of Delivery

    On Campus

Description

This unit examines the fundamental qualities of movement for the actor. Using a variety of contemporary somatic practices and movement techniques the actor will attain the foundations of alignment, co-ordination, balance, breath and expressive movement. All practices undertaken in the unit will support movement knowledge for the actor to build physical potential and imaginative capacity. This unit will bring awareness of the students perception of movement for the actor and will lay the groundwork for deeper body work in following movement units. Classes are designed to be explorative, playful, inventive and challenging.

Learning Outcomes

On completion of this unit students should be able to:

  1. Execute rehearsed movement sequences.
  2. Have a fundamental understanding of why movement for the actor in theory and application is necessary.
  3. Have the ability to respond imaginatively to exercises and tasks.
  4. Start to work with self-awareness processing body mind breath connection.
  5. Understand the pre-expressive state as it applies to the actor.
  6. Understand the qualities of time, weight, space and stillness as it relates to movement and the actor.
  7. Use a range of physical dynamics and body awareness in individual and group exercises.
  8. Work safely individually, in a group or with a partner.

Unit Content

  1. Contemporary dance.
  2. Exploration of mimicry and detailed embodiment.
  3. Exploration of physical characterisation and transformation.
  4. Exploration of the fundamental qualities of movement for the actor.
  5. Expressive exploration of movement imagery.
  6. Safety in movement.
  7. Undertake a body and mind practice, for example Yoga.

Additional Learning Experience Information

Movement studio, intensive workshops, small group solo and duo exercises, video recording for analysis, in studio performance to students and staff. Self-reflection, observation and class feedback and discussion.

Assessment

GS2 GRADING SCHEMA 2 Used for performance and/or practical based units

Students please note: The marks and grades received by students on assessments may be subject to further moderation. All marks and grades are to be considered provisional until endorsed by the relevant Board of Examiners.

ON CAMPUS
TypeDescription
Essay ^1000 Word essay on a specific movement training for the actor
Participation ^In class commitment, attitude, self- management and progress in weekly classes/workshops. This will include their approach to new ways of working and preparation.
Performance ^In Class Presentation of Technical Skills, Movement Practices or Tasks.
Journal ^Completion of a movement journal

^ Mandatory to Pass

Text References

  • ^ Potter, N. (Ed.). (2002). Movement for actors. New York, NY: Allworth Press.
  • Marshall, L. (2002). The body speaks. (2nd ed.). London, United Kingdom. Palgrave Macmillan.
  • Evans, M. (2015). The actor training reader. London and New York: Routledge Taylor and Francis Group.
  • Silva, M., & Shyam, M. (1990). Yoga the Iyengar way. USA: Alfred A. Knopf.
  • Yakim, M. (1996). Creating a character: A physical approach to acting. Applause Theatre Books.
  • Adrian, B. (2008). Actor training the Laban way. New York, NY:Allworth Press.
  • Lecoq, J. et al. (2002). The moving body: Teaching creative theatre. London, United Kingdom: Methuen.
  • Dennis, A. (2002). The articulate body. New York, NY: Nick Hern.
  • Bain, K. (2010). Keith Bain on movement. Sydney, Australia: Currency House.
  • Ewan, V., & Green D. (2015). Actor movement: Expression of the physical being. London, United Kingdom: Bloomsbury.
  • McEvenue, K. (2002). The actor and the Alexander Technique. USA: Palgrave Macmillan.

Journal References

  • Performing Arts Journal.
  • The Feldenkrais Journal.
  • Theatre, Dance and Performance Training.

^ Mandatory reference


Disability Standards for Education (Commonwealth 2005)

For the purposes of considering a request for Reasonable Adjustments under the Disability Standards for Education (Commonwealth 2005), inherent requirements for this subject are articulated in the Unit Description, Learning Outcomes and Assessment Requirements of this entry. The University is dedicated to provide support to those with special requirements. Further details on the support for students with disabilities or medical conditions can be found at the Access and Inclusion website.

Academic Misconduct

Edith Cowan University has firm rules governing academic misconduct and there are substantial penalties that can be applied to students who are found in breach of these rules. Academic misconduct includes, but is not limited to:

  • plagiarism;
  • unauthorised collaboration;
  • cheating in examinations;
  • theft of other students' work;

Additionally, any material submitted for assessment purposes must be work that has not been submitted previously, by any person, for any other unit at ECU or elsewhere.

The ECU rules and policies governing all academic activities, including misconduct, can be accessed through the ECU website.

ACT1003|3|2