School: Western Australian Academy of Performing Arts

This unit information may be updated and amended immediately prior to semester. To ensure you have the correct outline, please check it again at the beginning of semester.

Please note that given the circumstances of COVID-19, there may be some modifications to the assessment schedule promoted in Handbook for Semester 1 2020 Units. Students will be notified of all approved modifications by Unit Coordinators via email and Unit Blackboard sites. Where changes have been made, these are designed to ensure that you still meet the unit learning outcomes in the context of our adjusted teaching and learning arrangements.

  • Unit Title

    Ballet 2
  • Unit Code

    DAN2121
  • Year

    2020
  • Enrolment Period

    1
  • Version

    1
  • Credit Points

    20
  • Full Year Unit

    Y
  • Mode of Delivery

    On Campus
  • Unit Coordinator

    Mr Kim David MCCARTHY

Description

In this unit, students engage in practical technique classes in classical ballet from barre to centre practice at a more advanced level. The study of men's classes, pointe work, pas de deux and variations are optional. The importance of daily class is emphasised and the development of reflective practice. Safe dance principles are promoted through an emphasis on correct alignment and increased kinaesthetic awareness. The importance of physical, social and cultural sustainability relating to artform practice and professional career paths is also embraced in this unit through: the choice of repertoire; engagement with industry partners; building social and cultural confidence via exposure to diverse performance environments locally, nationally, regionally and internationally.

Prerequisite Rule

Students must pass 1 units from DAN1021

Equivalent Rule

Unit was previously coded AWD1201

Learning Outcomes

On completion of this unit students should be able to:

  1. Articulate principles of alignment and functionality involved in the exercises with considerable detail.
  2. Demonstrate a high level of physical and conceptual understanding of the technical principles in classical ballet.
  3. Demonstrate a refined ability to quickly absorb and execute new combinations on instruction and/or demonstration.
  4. Demonstrate a strong sense of individuality and 'presence' (performance quality).
  5. Design, set and teach classroom exercises of increasing complexity using technical terms and describing the functional and meaning-making aspects of the exercise.
  6. Embody a developed musicality.
  7. Embody an increased range of movement qualities.
  8. Engage in self-assessment processes that indicate an informed level of critical analysis of the technique.
  9. Execute each section of class work---warm-up, barre, centre practice, turns, travelling sequences, jumps and warm down---with high levels of competency and understanding.
  10. Physically adapt to a range of techniques and teaching approaches (eg. Russian, French, Italian and English styles).

Unit Content

  1. A wide range of contrasting rhythmic and a-rhythmic structures in class work and performance.
  2. An advanced study of self correction in order to increase technical facility.
  3. Controlled balances in a wide range of positions of the technique (ouvert, croise, a la seconde, effac and ecart).
  4. Execution of enchainments, including turns, with style and confidence.
  5. Exploration of spatial awareness in relation to self and others at a greater depth and range.
  6. In Men's Coaching classes exercises to develop stamina and basic men's pirouettes, beats and grand allegro will be taught.
  7. In variations students will study repertoire at a more advanced level of difficulty emphasising facility and assurance and the stylistic nuances of the work.
  8. Practice, at a high level of understanding, classical ballet technique: warm-up, barre, centre practice, turns, travelling sequences, jumps and warm down.
  9. Practices to gain high levels of strength, flexibility, coordination and cardio-vascular endurance.
  10. Presentation of complex culturally specific rhythmic patterns, eg Indian and Spanish dance.
  11. Students will continue their pointe work at the barre and in centre practice to develop increasing levels of balance, control, strength and turning capacity.
  12. Study, through combinations of increased difficulty, the articulation and embodiment of alignment principles.
  13. The development of confident partnerships with understanding of partnering holds and support and the study of safe lifting techniques.
  14. Transforming mathematical structures into meaningful musical phrasing and its integration into performance.

Learning Experience

Students will attend on campus classes as well as engage in learning activities through ECU Blackboard.

JoondalupMount LawleySouth West (Bunbury)
Full YearNot Offered37 x 1.5 hour ensemblesNot Offered

For more information see the Semester Timetable

Additional Learning Experience Information

Practical classes. Work with guest teachers. Possible work with professional dance ensembles. Classroom tasks and individual assignments.

Assessment

GS1 GRADING SCHEMA 1 Used for standard coursework units

Students please note: The marks and grades received by students on assessments may be subject to further moderation. All marks and grades are to be considered provisional until endorsed by the relevant Board of Examiners.

Due to the professional competency skill development associated with this Unit, student attendance/participation within listed in-class activities and/or online activities including discussion boards is compulsory. Students failing to meet participation standards as outlined in the unit plan may be awarded an I Grade (Fail - incomplete). Students who are unable to meet this requirement for medical or other reasons must seek the approval of the unit coordinator.

ON CAMPUS
TypeDescriptionValue
Reflective PracticeReflective practice (Semester 1)10%
ParticipationClassroom Tasks (Semester 1)5%
PracticumIndustry assessment (Semester 1)15%
ExaminationExamination (Semester 1)20%
Reflective PracticeReflective practice (Semester 2)10%
ParticipationClassroom Tasks (Semester 2)5%
PracticumIndustry assessment (Semester 2)15%
ExaminationExamination (Semester 2)20%

Disability Standards for Education (Commonwealth 2005)

For the purposes of considering a request for Reasonable Adjustments under the Disability Standards for Education (Commonwealth 2005), inherent requirements for this subject are articulated in the Unit Description, Learning Outcomes and Assessment Requirements of this entry. The University is dedicated to provide support to those with special requirements. Further details on the support for students with disabilities or medical conditions can be found at the Access and Inclusion website.

Academic Misconduct

Edith Cowan University has firm rules governing academic misconduct and there are substantial penalties that can be applied to students who are found in breach of these rules. Academic misconduct includes, but is not limited to:

  • plagiarism;
  • unauthorised collaboration;
  • cheating in examinations;
  • theft of other students' work;

Additionally, any material submitted for assessment purposes must be work that has not been submitted previously, by any person, for any other unit at ECU or elsewhere.

The ECU rules and policies governing all academic activities, including misconduct, can be accessed through the ECU website.

DAN2121|1|1

School: Western Australian Academy of Performing Arts

This unit information may be updated and amended immediately prior to semester. To ensure you have the correct outline, please check it again at the beginning of semester.

Please note that given the circumstances of COVID-19, there may be some modifications to the assessment schedule promoted in Handbook for this unit. All assessment changes will be published by 27 July 2020. All students are reminded to check handbook at the beginning of semester to ensure they have the correct outline.

  • Unit Title

    Ballet 2
  • Unit Code

    DAN2121
  • Year

    2020
  • Enrolment Period

    2
  • Version

    1
  • Credit Points

    20
  • Full Year Unit

    Y
  • Mode of Delivery

    On Campus
  • Unit Coordinator

    Mr Kim David MCCARTHY

Description

In this unit, students engage in practical technique classes in classical ballet from barre to centre practice at a more advanced level. The study of men's classes, pointe work, pas de deux and variations are optional. The importance of daily class is emphasised and the development of reflective practice. Safe dance principles are promoted through an emphasis on correct alignment and increased kinaesthetic awareness. The importance of physical, social and cultural sustainability relating to artform practice and professional career paths is also embraced in this unit through: the choice of repertoire; engagement with industry partners; building social and cultural confidence via exposure to diverse performance environments locally, nationally, regionally and internationally.

Prerequisite Rule

Students must pass 1 units from DAN1021

Equivalent Rule

Unit was previously coded AWD1201

Learning Outcomes

On completion of this unit students should be able to:

  1. Articulate principles of alignment and functionality involved in the exercises with considerable detail.
  2. Demonstrate a high level of physical and conceptual understanding of the technical principles in classical ballet.
  3. Demonstrate a refined ability to quickly absorb and execute new combinations on instruction and/or demonstration.
  4. Demonstrate a strong sense of individuality and 'presence' (performance quality).
  5. Design, set and teach classroom exercises of increasing complexity using technical terms and describing the functional and meaning-making aspects of the exercise.
  6. Embody a developed musicality.
  7. Embody an increased range of movement qualities.
  8. Engage in self-assessment processes that indicate an informed level of critical analysis of the technique.
  9. Execute each section of class work---warm-up, barre, centre practice, turns, travelling sequences, jumps and warm down---with high levels of competency and understanding.
  10. Physically adapt to a range of techniques and teaching approaches (eg. Russian, French, Italian and English styles).

Unit Content

  1. A wide range of contrasting rhythmic and a-rhythmic structures in class work and performance.
  2. An advanced study of self correction in order to increase technical facility.
  3. Controlled balances in a wide range of positions of the technique (ouvert, croise, a la seconde, effac and ecart).
  4. Execution of enchainments, including turns, with style and confidence.
  5. Exploration of spatial awareness in relation to self and others at a greater depth and range.
  6. In Men's Coaching classes exercises to develop stamina and basic men's pirouettes, beats and grand allegro will be taught.
  7. In variations students will study repertoire at a more advanced level of difficulty emphasising facility and assurance and the stylistic nuances of the work.
  8. Practice, at a high level of understanding, classical ballet technique: warm-up, barre, centre practice, turns, travelling sequences, jumps and warm down.
  9. Practices to gain high levels of strength, flexibility, coordination and cardio-vascular endurance.
  10. Presentation of complex culturally specific rhythmic patterns, eg Indian and Spanish dance.
  11. Students will continue their pointe work at the barre and in centre practice to develop increasing levels of balance, control, strength and turning capacity.
  12. Study, through combinations of increased difficulty, the articulation and embodiment of alignment principles.
  13. The development of confident partnerships with understanding of partnering holds and support and the study of safe lifting techniques.
  14. Transforming mathematical structures into meaningful musical phrasing and its integration into performance.

Learning Experience

Students will attend on campus classes as well as engage in learning activities through ECU Blackboard.

JoondalupMount LawleySouth West (Bunbury)
Full YearNot Offered37 x 1.5 hour ensemblesNot Offered

For more information see the Semester Timetable

Additional Learning Experience Information

Practical classes. Work with guest teachers. Possible work with professional dance ensembles. Classroom tasks and individual assignments.

Assessment

GS1 GRADING SCHEMA 1 Used for standard coursework units

Students please note: The marks and grades received by students on assessments may be subject to further moderation. All marks and grades are to be considered provisional until endorsed by the relevant Board of Examiners.

Due to the professional competency skill development associated with this Unit, student attendance/participation within listed in-class activities and/or online activities including discussion boards is compulsory. Students failing to meet participation standards as outlined in the unit plan may be awarded an I Grade (Fail - incomplete). Students who are unable to meet this requirement for medical or other reasons must seek the approval of the unit coordinator.

ON CAMPUS
TypeDescriptionValue
Reflective PracticeReflective practice60%
PresentationIndustry assessment20%
PerformancePerformance20%

Disability Standards for Education (Commonwealth 2005)

For the purposes of considering a request for Reasonable Adjustments under the Disability Standards for Education (Commonwealth 2005), inherent requirements for this subject are articulated in the Unit Description, Learning Outcomes and Assessment Requirements of this entry. The University is dedicated to provide support to those with special requirements. Further details on the support for students with disabilities or medical conditions can be found at the Access and Inclusion website.

Academic Misconduct

Edith Cowan University has firm rules governing academic misconduct and there are substantial penalties that can be applied to students who are found in breach of these rules. Academic misconduct includes, but is not limited to:

  • plagiarism;
  • unauthorised collaboration;
  • cheating in examinations;
  • theft of other students' work;

Additionally, any material submitted for assessment purposes must be work that has not been submitted previously, by any person, for any other unit at ECU or elsewhere.

The ECU rules and policies governing all academic activities, including misconduct, can be accessed through the ECU website.

DAN2121|1|2