School: Western Australian Academy of Performing Arts
This unit information may be updated and amended immediately prior to semester. To ensure you have the correct outline, please check it again at the beginning of semester.
Unit Title
Integrated Body Practices 2
Unit Code
DAN2234
Year
2016
Enrolment Period
1
Version
1
Credit Points
5
Full Year Unit
Y
Mode of Delivery
On Campus
Description
This unit will focus on studies in Kinesiology.Theunit is designed to give students a more comprehensive understanding of the body from a codified scientific perspective. Students will be encouraged to incorporate the information into their daily practice. The importance of physical, social and cultural sustainability relating to artform practice and professional career paths is also embraced in this unit through: the choice of repertoire; duty of care in public performance environments; engagement with industry partners; building social and cultural confidence via exposure to diverse performance environments locally, nationally, regionally and internationally.
Prerequisite Rule
Students must pass 1 units from DAN1034
Equivalent Rule
Unit was previously coded DAN2134
Learning Outcomes
On completion of this unit students should be able to:
- Demonstrate a knowledge of levers and basic information about bio-mechanics.
- Demonstrate alignment and posture and corrective procedures.
- Demonstrate energy input and output in dancing.
- Demonstrate proportionality.
- Execute rhythmic and spatial precision in performance.
- Formulate personal goals both short and long term.
- Organise and time manage preparation and presentation of work.
- Understand and apply techniques for managing stress with particular emphasis on performance anxiety.
Unit Content
- A wide range of contrasting rhythmic and a-rhythmic patterns, eg Indian and Spanish dance.
- An exploration of movement based upon anatomical, physiological and developmental principles.
- Anxiety: the anatomy and physiology of performance anxiety.
- Autogenic relaxation.
- Energy requirements and nutrition.
- Factors contributing to stress and the varying responses of the individual. An examination of physical and psychological manifestations.
- Goal-setting - an examination of achievement, motivation and the application of theory into personal programme development.
- Research, planning and problem solving in assignment preparation and presentation.
- Stress management techniques - physical and mental techniques to enhance or inhibit arousal levels for both performance and daily life.
- The anatomy and physiology of relaxation. Types of relaxation (eg PMR).
- Transforming mathematical structures into meaningful musical phrasing and its integration into performance.
- Visualisation and mental practice. Analysing self talk.
Additional Learning Experience Information
Workshop, Theory sessions, Lectures, Practical laboratory sessions.
Assessment
GS1 GRADING SCHEMA 1 Used for standard coursework units
Students please note: The marks and grades received by students on assessments may be subject to further moderation. All marks and grades are to be considered provisional until endorsed by the relevant Board of Examiners.
ON CAMPUSType | Description | Value |
---|
Assignment | Assignment and Manuals (Semester 1) | 25% |
Assignment | Assignment, presentation and manuals (Semester 2) | 25% |
Examination | Written examination | 50% |
Text References
- Wood, E. (1977). Zen dictionary. Penguin Books.
- Watts, A. (1957). The way of Zen. London: Thames and Hudson.
- Reps, P. (1971). Zen flesh Zen bones. Penguin Books.
- Pirsig, R. (1974). Zen and the art of motorcycle maintenance. London: The Bodley Head.
- Todd, M. (1937). The thinking body. NJ: Princeton Book Co.
- Singer, R. (1980). Motor learning and human performance. New York: McMillard.
- Feldenkrais, M. (1981). The elusive obvious or basic Feldenkrais. Cupertino, CA: Meta Publications.
- Rolland, J. Inside motion: An ideokinetic basis.
- Pisk, L. (1975). The actor and his body. London, WCIV Faax: Harrop & Co Ltd. Holborn.
- Penfield. (1975). The mystery of the mind. Princeton, New Jersey: Princeton University Press.
- Herbert, M. (1989). Physiology of the living body. New York: Norton.
- Feldenkrais, M. (1984). The master moves. Cupertino, CA: Meta Publications.
- Rosen, G. M. (1977). The relaxation book. Sydney: Prentice Hall of Australia Pty.
Disability Standards for Education (Commonwealth 2005)
For the purposes of considering a request for Reasonable Adjustments under the Disability Standards for Education (Commonwealth 2005), inherent requirements for this subject are articulated in the Unit Description, Learning Outcomes and Assessment Requirements of this entry. The University is dedicated to provide support to those with special requirements. Further details on the support for students with disabilities or medical conditions can be found at the Access and Inclusion website.
Academic Misconduct
Edith Cowan University has firm rules governing academic misconduct and there are substantial penalties that can be applied to students who are found in breach of these rules. Academic misconduct includes, but is not limited to:
- plagiarism;
- unauthorised collaboration;
- cheating in examinations;
- theft of other students' work;
Additionally, any material submitted for assessment purposes must be work that has not been submitted previously, by any person, for any other unit at ECU or elsewhere.
The ECU rules and policies governing all academic activities, including misconduct, can be accessed through the ECU website.
DAN2234|1|1
School: Western Australian Academy of Performing Arts
This unit information may be updated and amended immediately prior to semester. To ensure you have the correct outline, please check it again at the beginning of semester.
Unit Title
Integrated Body Practices 2
Unit Code
DAN2234
Year
2016
Enrolment Period
2
Version
1
Credit Points
5
Full Year Unit
Y
Mode of Delivery
On Campus
Description
This unit will focus on studies in Kinesiology.Theunit is designed to give students a more comprehensive understanding of the body from a codified scientific perspective. Students will be encouraged to incorporate the information into their daily practice. The importance of physical, social and cultural sustainability relating to artform practice and professional career paths is also embraced in this unit through: the choice of repertoire; duty of care in public performance environments; engagement with industry partners; building social and cultural confidence via exposure to diverse performance environments locally, nationally, regionally and internationally.
Prerequisite Rule
Students must pass 1 units from DAN1034
Equivalent Rule
Unit was previously coded DAN2134
Learning Outcomes
On completion of this unit students should be able to:
- Demonstrate a knowledge of levers and basic information about bio-mechanics.
- Demonstrate alignment and posture and corrective procedures.
- Demonstrate energy input and output in dancing.
- Demonstrate proportionality.
- Execute rhythmic and spatial precision in performance.
- Formulate personal goals both short and long term.
- Organise and time manage preparation and presentation of work.
- Understand and apply techniques for managing stress with particular emphasis on performance anxiety.
Unit Content
- A wide range of contrasting rhythmic and a-rhythmic patterns, eg Indian and Spanish dance.
- An exploration of movement based upon anatomical, physiological and developmental principles.
- Anxiety: the anatomy and physiology of performance anxiety.
- Autogenic relaxation.
- Energy requirements and nutrition.
- Factors contributing to stress and the varying responses of the individual. An examination of physical and psychological manifestations.
- Goal-setting - an examination of achievement, motivation and the application of theory into personal programme development.
- Research, planning and problem solving in assignment preparation and presentation.
- Stress management techniques - physical and mental techniques to enhance or inhibit arousal levels for both performance and daily life.
- The anatomy and physiology of relaxation. Types of relaxation (eg PMR).
- Transforming mathematical structures into meaningful musical phrasing and its integration into performance.
- Visualisation and mental practice. Analysing self talk.
Additional Learning Experience Information
Workshop, Theory sessions, Lectures, Practical laboratory sessions.
Assessment
GS1 GRADING SCHEMA 1 Used for standard coursework units
Students please note: The marks and grades received by students on assessments may be subject to further moderation. All marks and grades are to be considered provisional until endorsed by the relevant Board of Examiners.
ON CAMPUSType | Description | Value |
---|
Assignment | Assignment and Manuals (Semester 1) | 25% |
Assignment | Assignment, presentation and manuals (Semester 2) | 25% |
Examination | Written examination | 50% |
Text References
- Wood, E. (1977). Zen dictionary. Penguin Books.
- Watts, A. (1957). The way of Zen. London: Thames and Hudson.
- Reps, P. (1971). Zen flesh Zen bones. Penguin Books.
- Pirsig, R. (1974). Zen and the art of motorcycle maintenance. London: The Bodley Head.
- Todd, M. (1937). The thinking body. NJ: Princeton Book Co.
- Singer, R. (1980). Motor learning and human performance. New York: McMillard.
- Feldenkrais, M. (1981). The elusive obvious or basic Feldenkrais. Cupertino, CA: Meta Publications.
- Rolland, J. Inside motion: An ideokinetic basis.
- Pisk, L. (1975). The actor and his body. London, WCIV Faax: Harrop & Co Ltd. Holborn.
- Penfield. (1975). The mystery of the mind. Princeton, New Jersey: Princeton University Press.
- Herbert, M. (1989). Physiology of the living body. New York: Norton.
- Feldenkrais, M. (1984). The master moves. Cupertino, CA: Meta Publications.
- Rosen, G. M. (1977). The relaxation book. Sydney: Prentice Hall of Australia Pty.
Disability Standards for Education (Commonwealth 2005)
For the purposes of considering a request for Reasonable Adjustments under the Disability Standards for Education (Commonwealth 2005), inherent requirements for this subject are articulated in the Unit Description, Learning Outcomes and Assessment Requirements of this entry. The University is dedicated to provide support to those with special requirements. Further details on the support for students with disabilities or medical conditions can be found at the Access and Inclusion website.
Academic Misconduct
Edith Cowan University has firm rules governing academic misconduct and there are substantial penalties that can be applied to students who are found in breach of these rules. Academic misconduct includes, but is not limited to:
- plagiarism;
- unauthorised collaboration;
- cheating in examinations;
- theft of other students' work;
Additionally, any material submitted for assessment purposes must be work that has not been submitted previously, by any person, for any other unit at ECU or elsewhere.
The ECU rules and policies governing all academic activities, including misconduct, can be accessed through the ECU website.
DAN2234|1|2