Faculty of Education and Arts

School: Communications and Arts

This unit information may be updated and amended immediately prior to semester. To ensure you have the correct outline, please check it again at the beginning of semester.

  • Unit Title

    Digital Photomedia
  • Unit Code

    IMM1121
  • Year

    2015
  • Enrolment Period

    1
  • Version

    1
  • Credit Points

    15
  • Full Year Unit

    N
  • Mode of Delivery

    On Campus

Description

This unit includes: the role of photomedia concepts and production styles within a digital context; an introduction to the principles and practices required for a thorough understanding of digital image creation, manipulation and use; an introduction to applications software and hardware which supports the development of image resources for a wide range of communication disciplines.

Learning Outcomes

On completion of this unit students should be able to:

  1. Acquire and manipulate photomedia images within a digital environment.
  2. Apply a range of theories in the design and manipulation of photomedia based graphics for screen display.
  3. Creation of graphic resources for visual disciplines such as photomedia, film, video and web design using a variety of software and hardware tools.
  4. Explain the principles of two dimensional computer graphics.

Unit Content

  1. An introduction to the applications software and hardware which supports the development of graphics; graphics formats and standards; and concepts relating to image processing.
  2. Introduction to, and application of constructionist theoretical models of communication and culture in a photographic context.
  3. Introduction to, and application of formal considerations in screen-based design: layout, typography, and colour theory.
  4. Synthesis of theories and practical applications in a range of screen based communication tasks.

Additional Learning Experience Information

Lectures. Laboratory workshops.

Assessment

GS1 GRADING SCHEMA 1 Used for standard coursework units

Students please note: The marks and grades received by students on assessments may be subject to further moderation. All marks and grades are to be considered provisional until endorsed by the relevant Board of Examiners.

ON CAMPUS
TypeDescriptionValue
ProjectProject 140%
ProjectProject 240%
ExaminationIn class test/exam20%

Text References

  • ^ Adobe Creative Team. (2012). Adobe Flash Professional CS6 Classroom in a book. Adobe Press
  • Maeda, J., & Negropnte N. (2000). Maeda@Media: Thames and Hudson.
  • Adobe Systems Incorporated. (2010). Adobe Flash CS5 Classroom in a book: Adobe Press
  • Barthes, R. (1977). Image, music, text. Noonday Press.
  • Vince, J. (1992). Computer graphics. London: Design Council.
  • Spiekermann, E., & Ginger, E.M. (1993). Stop stealing sheep & find out how type works. Mountain View, California: Adobe Press.
  • O'Sullivan, T., & Hartley, J., et al. (1994). Key concepts in communication. (2nd ed.). London: Routledge.
  • Negroponte, N. (1995). Being digital. Rydalmere, NSW: Hodder & Stoughton.
  • Mitchell, W. (1992). The reconfigured eye: Visual truth in the post photographic era. Cambridge, Mass: MIT.
  • Lupton, E., & Abbot Miller, J. (1993). The abc's of triangle, square, circle : The Bauhaus and design theory. London: Thames and Hudson.
  • London, B., & Upton, J. (2008). Photography. (9th ed.). New York: Prentice Hall.
  • Lister, M. (Ed.). (1995). The photographic image in digital culture. London: Routledge.
  • Jacobson, L. (1992). Cyerbarts: Exploring art and technology: Miller Freeman Inc.
  • Hall, S. (1997). Representation: Cultural representations and signifying practices. London: Sage.
  • Evening, M. (2006). Adobe Photoshop CS3 for photographers. London: Focal Press.

Journal References

  • Communication Arts
  • Aperture
  • Photofile

^ Mandatory reference


Disability Standards for Education (Commonwealth 2005)

For the purposes of considering a request for Reasonable Adjustments under the Disability Standards for Education (Commonwealth 2005), inherent requirements for this subject are articulated in the Unit Description, Learning Outcomes and Assessment Requirements of this entry. The University is dedicated to provide support to those with special requirements. Further details on the support for students with disabilities or medical conditions can be found at the Access and Inclusion website.

Academic Misconduct

Edith Cowan University has firm rules governing academic misconduct and there are substantial penalties that can be applied to students who are found in breach of these rules. Academic misconduct includes, but is not limited to:

  • plagiarism;
  • unauthorised collaboration;
  • cheating in examinations;
  • theft of other students' work;

Additionally, any material submitted for assessment purposes must be work that has not been submitted previously, by any person, for any other unit at ECU or elsewhere.

The ECU rules and policies governing all academic activities, including misconduct, can be accessed through the ECU website.

IMM1121|1|1

Faculty of Education and Arts

School: Communications and Arts

This unit information may be updated and amended immediately prior to semester. To ensure you have the correct outline, please check it again at the beginning of semester.

  • Unit Title

    Digital Photomedia
  • Unit Code

    IMM1121
  • Year

    2015
  • Enrolment Period

    2
  • Version

    1
  • Credit Points

    15
  • Full Year Unit

    N
  • Mode of Delivery

    On Campus

Description

This unit includes: the role of photomedia concepts and production styles within a digital context; an introduction to the principles and practices required for a thorough understanding of digital image creation, manipulation and use; an introduction to applications software and hardware which supports the development of image resources for a wide range of communication disciplines.

Learning Outcomes

On completion of this unit students should be able to:

  1. Acquire and manipulate photomedia images within a digital environment.
  2. Apply a range of theories in the design and manipulation of photomedia based graphics for screen display.
  3. Creation of graphic resources for visual disciplines such as photomedia, film, video and web design using a variety of software and hardware tools.
  4. Explain the principles of two dimensional computer graphics.

Unit Content

  1. An introduction to the applications software and hardware which supports the development of graphics; graphics formats and standards; and concepts relating to image processing.
  2. Introduction to, and application of constructionist theoretical models of communication and culture in a photographic context.
  3. Introduction to, and application of formal considerations in screen-based design: layout, typography, and colour theory.
  4. Synthesis of theories and practical applications in a range of screen based communication tasks.

Additional Learning Experience Information

Lectures. Laboratory workshops.

Assessment

GS1 GRADING SCHEMA 1 Used for standard coursework units

Students please note: The marks and grades received by students on assessments may be subject to further moderation. All marks and grades are to be considered provisional until endorsed by the relevant Board of Examiners.

ON CAMPUS
TypeDescriptionValue
ProjectProject 140%
ProjectProject 240%
ExaminationIn class test/exam20%

Text References

  • ^ Adobe Creative Team. (2012). Adobe Flash Professional CS6 Classroom in a book. Adobe Press
  • Maeda, J., & Negropnte N. (2000). Maeda@Media: Thames and Hudson.
  • Adobe Systems Incorporated. (2010). Adobe Flash CS5 Classroom in a book: Adobe Press
  • Barthes, R. (1977). Image, music, text. Noonday Press.
  • Vince, J. (1992). Computer graphics. London: Design Council.
  • Spiekermann, E., & Ginger, E.M. (1993). Stop stealing sheep & find out how type works. Mountain View, California: Adobe Press.
  • O'Sullivan, T., & Hartley, J., et al. (1994). Key concepts in communication. (2nd ed.). London: Routledge.
  • Negroponte, N. (1995). Being digital. Rydalmere, NSW: Hodder & Stoughton.
  • Mitchell, W. (1992). The reconfigured eye: Visual truth in the post photographic era. Cambridge, Mass: MIT.
  • Lupton, E., & Abbot Miller, J. (1993). The abc's of triangle, square, circle : The Bauhaus and design theory. London: Thames and Hudson.
  • London, B., & Upton, J. (2008). Photography. (9th ed.). New York: Prentice Hall.
  • Lister, M. (Ed.). (1995). The photographic image in digital culture. London: Routledge.
  • Jacobson, L. (1992). Cyerbarts: Exploring art and technology: Miller Freeman Inc.
  • Hall, S. (1997). Representation: Cultural representations and signifying practices. London: Sage.
  • Evening, M. (2006). Adobe Photoshop CS3 for photographers. London: Focal Press.

Journal References

  • Communication Arts
  • Aperture
  • Photofile

^ Mandatory reference


Disability Standards for Education (Commonwealth 2005)

For the purposes of considering a request for Reasonable Adjustments under the Disability Standards for Education (Commonwealth 2005), inherent requirements for this subject are articulated in the Unit Description, Learning Outcomes and Assessment Requirements of this entry. The University is dedicated to provide support to those with special requirements. Further details on the support for students with disabilities or medical conditions can be found at the Access and Inclusion website.

Academic Misconduct

Edith Cowan University has firm rules governing academic misconduct and there are substantial penalties that can be applied to students who are found in breach of these rules. Academic misconduct includes, but is not limited to:

  • plagiarism;
  • unauthorised collaboration;
  • cheating in examinations;
  • theft of other students' work;

Additionally, any material submitted for assessment purposes must be work that has not been submitted previously, by any person, for any other unit at ECU or elsewhere.

The ECU rules and policies governing all academic activities, including misconduct, can be accessed through the ECU website.

IMM1121|1|2