Handbook : Unit informationEdith Cowan University

Faculty of Education and Arts

School: WA Academy of Performing Arts

This unit information may be updated and amended immediately prior to semester. To ensure you have the correct outline, please check it again at the beginning of semester.

• Unit Title

  Jazz History and Culture 2

• Unit Code

  MUS1315

• Year

  2015

• Enrolment Period

  1

• Version

  1

• Credit Points

  5

• Full Year Unit

  N

• Mode of Delivery

  On Campus
  

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Description

This unit focuses on the development of Jazz from 1942 to 1959, concentrating on the major musical innovations, definitive stylistic characteristics, external musical influences and seminal Jazz artists from the period. The unit will examine the body of recorded work associated with the period in conjunction with the relevant literature.

Equivalent Rule

Unit was previously coded MUS1220

Learning Outcomes

On completion of this unit students should be able to:

1. Articulate the musical and historical events that influenced Jazz from 1942 to 1959.
2. Aurally recognise the definitive Jazz styles from 1942 to 1959.
3. Demonstrate research skills.

Unit Content

1. Charlie Parker and Dizzy Gillespie.
2. Hard Bop and Funky Jazz.
3. John Coltrane, his early career.
4. Miles Davis first quintet.
5. Post Bop artists.
6. The beginning of Bebop.
7. The birth of the Cool School.
8. Wes Montgomery, Charles Mingus and Max Roach.

Additional Learning Experience Information

Lectures, Tutorials.

Assessment

GS1 GRADING SCHEMA 1 Used for standard coursework units

Students please note: The marks and grades received by students on assessments may be subject to further moderation. All marks and grades are to be considered provisional until endorsed by the relevant Board of Examiners.

Text References

• ^ Giddins, G., & DeVeaus. S., (2009). Jazz. New York: W.W. Norton and Co.
• Feather, L. (1975). The encyclopaedia of jazz. Horizon.
• Tirro, F. (1977). Jazz: A history. G.J. McLeod.
• Schuller, G. (1986). Early jazz, its roots and musical development. Oxford University Press.
• Owens, T. (1996). Behop, the music of its players. New York: Oxford University Press.
• Oliver, P. (1969). The story of the blues. Barrie and Rockcliff: The Cresset Publishers.
• Berendt, J. (1978). The jazz book. Granada.
• Carr, I., Fairweather, D., & Priestly, B. (2000). Jazz, the rough guide. London: Rough Guide Ltd.
• Case, B., & Britt, S. (1978). The illustrated encyclopaedia of jazz. Crown.
• Collier, G. (1975). Jazz, a students and teachers guide. Cambridge University Press.
• Collier, J.L. (1978). The making of jazz. Macmillan.
• Cook, R., & Morton, B. (2000). The Penguin guide to jazz on c.d. (5th ed.). London: Penguin Books.
• Coryell, J., & Friedman, L. (1978). Jazz rock fusion. M. Boyars.
• Feather, L., & Gitler, I. (1978). The encyclopaedia of jazz in the seventies. Quartet Books.
• Gridley, M.C. (2009). Jazz styles. (10th ed.). New Jersey: Prentice-Hall.
• Hardy, P. (2001). The Faber companion to 20th century popular music. (3rd ed.). London: Faver and Faber.
• Joyner, D.L. (1993). American popular music. Madison: W.C.B. Brown.
• Kernfeld, B. (Ed.). (1988). The new Grove dictionary of jazz. McMillan.
• Kernfeld, B. (Ed.). (1992). The Blackwell guide to recorded jazz. Oxford: Blackwell Publishers.
• Litweiler, J. (1985). The freedom principle. Dorset: Blandford, Poole.
• McRae, B. (1987). The jazz handbook. Longman.

Journal References

• Downbeat Jazz Magazine

Website References

• www.allaboutjazz.com
• www.jazz-on-line.com
• www.jazzednet.org
• www.ejazznews.com

^ Mandatory reference

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