School: Western Australian Academy of Performing Arts

This unit information may be updated and amended immediately prior to semester. To ensure you have the correct outline, please check it again at the beginning of semester.

Please note that given the circumstances of COVID-19, there may be some modifications to the assessment schedule promoted in Handbook for Semester 1 2020 Units. Students will be notified of all approved modifications by Unit Coordinators via email and Unit Blackboard sites. Where changes have been made, these are designed to ensure that you still meet the unit learning outcomes in the context of our adjusted teaching and learning arrangements.

  • Unit Title

    Acousmatics
  • Unit Code

    MUS1610
  • Year

    2020
  • Enrolment Period

    1
  • Version

    2
  • Credit Points

    10
  • Full Year Unit

    N
  • Mode of Delivery

    On Campus
  • Unit Coordinator

    Dr Lindsay Ross VICKERY

Description

In this unit students will be required to demonstrate knowledge of acousmatic music practice. The unit requires students to critically reflect and practice various modes of listening, theories of auditory perception and psychoacoustics, acoustics, and gain skills in the processes of field recording. The fundamentals of psychoacoustics and the perception of sound in space are explored. The practices of point-source and diffused methods of spatialisation are discussed in relation to acousmatic music. There will be emphasis placed on the use of the internet for publishing written and sound collections. Students will make recordings and compositions in this unit.

Equivalent Rule

Unit was previously coded MUS1106

Learning Outcomes

On completion of this unit students should be able to:

  1. Apply the fundamental knowledge of psychoacoustics, and the perception of sound in space.
  2. Apply technical skills and knowledge in the process of field recording.
  3. Describe and distinguish between contemporary compositional techniques and concepts.
  4. Apply listening skills and critically reflect on the composition of original acousmatic music.

Unit Content

  1. Acoustics and sound production by musical instruments.
  2. Propagation of sound and psychoacoustic perception.
  3. Field recording practice and basic microphone technique.
  4. History of acousmatic music.
  5. Significant examples of spatial acousmatic music composition.

Learning Experience

Students will attend on campus classes as well as engage in learning activities through ECU Blackboard.

JoondalupMount LawleySouth West (Bunbury)
Semester 1Not Offered11 x 2 hour ensemblesNot Offered

For more information see the Semester Timetable

Additional Learning Experience Information

Lectures, Workshops, Rehearsals, Performances.

Assessment

GS1 GRADING SCHEMA 1 Used for standard coursework units

Students please note: The marks and grades received by students on assessments may be subject to further moderation. All marks and grades are to be considered provisional until endorsed by the relevant Board of Examiners.

ON CAMPUS
TypeDescriptionValue
Creative WorkAcousmatic composition.50%
ExaminationAcousmatics exam.50%

Disability Standards for Education (Commonwealth 2005)

For the purposes of considering a request for Reasonable Adjustments under the Disability Standards for Education (Commonwealth 2005), inherent requirements for this subject are articulated in the Unit Description, Learning Outcomes and Assessment Requirements of this entry. The University is dedicated to provide support to those with special requirements. Further details on the support for students with disabilities or medical conditions can be found at the Access and Inclusion website.

Academic Misconduct

Edith Cowan University has firm rules governing academic misconduct and there are substantial penalties that can be applied to students who are found in breach of these rules. Academic misconduct includes, but is not limited to:

  • plagiarism;
  • unauthorised collaboration;
  • cheating in examinations;
  • theft of other students' work;

Additionally, any material submitted for assessment purposes must be work that has not been submitted previously, by any person, for any other unit at ECU or elsewhere.

The ECU rules and policies governing all academic activities, including misconduct, can be accessed through the ECU website.

MUS1610|2|1

School: Western Australian Academy of Performing Arts

This unit information may be updated and amended immediately prior to semester. To ensure you have the correct outline, please check it again at the beginning of semester.

Please note that given the circumstances of COVID-19, there may be some modifications to the assessment schedule promoted in Handbook for this unit. All assessment changes will be published by 27 July 2020. All students are reminded to check handbook at the beginning of semester to ensure they have the correct outline.

  • Unit Title

    Acousmatics
  • Unit Code

    MUS1610
  • Year

    2020
  • Enrolment Period

    2
  • Version

    2
  • Credit Points

    10
  • Full Year Unit

    N
  • Mode of Delivery

    On Campus
  • Unit Coordinator

    Dr Lindsay Ross VICKERY

Description

In this unit students will be required to demonstrate knowledge of acousmatic music practice. The unit requires students to critically reflect and practice various modes of listening, theories of auditory perception and psychoacoustics, acoustics, and gain skills in the processes of field recording. The fundamentals of psychoacoustics and the perception of sound in space are explored. The practices of point-source and diffused methods of spatialisation are discussed in relation to acousmatic music. There will be emphasis placed on the use of the internet for publishing written and sound collections. Students will make recordings and compositions in this unit.

Equivalent Rule

Unit was previously coded MUS1106

Learning Outcomes

On completion of this unit students should be able to:

  1. Apply the fundamental knowledge of psychoacoustics, and the perception of sound in space.
  2. Apply technical skills and knowledge in the process of field recording.
  3. Describe and distinguish between contemporary compositional techniques and concepts.
  4. Apply listening skills and critically reflect on the composition of original acousmatic music.

Unit Content

  1. Acoustics and sound production by musical instruments.
  2. Propagation of sound and psychoacoustic perception.
  3. Field recording practice and basic microphone technique.
  4. History of acousmatic music.
  5. Significant examples of spatial acousmatic music composition.

Learning Experience

Students will attend on campus classes as well as engage in learning activities through ECU Blackboard.

JoondalupMount LawleySouth West (Bunbury)
Semester 1Not Offered11 x 2 hour ensemblesNot Offered

For more information see the Semester Timetable

Additional Learning Experience Information

Lectures, Workshops, Rehearsals, Performances.

Assessment

GS1 GRADING SCHEMA 1 Used for standard coursework units

Students please note: The marks and grades received by students on assessments may be subject to further moderation. All marks and grades are to be considered provisional until endorsed by the relevant Board of Examiners.

ON CAMPUS
TypeDescriptionValue
Creative WorkAcousmatic composition.50%
ExaminationAcousmatics exam.50%

Disability Standards for Education (Commonwealth 2005)

For the purposes of considering a request for Reasonable Adjustments under the Disability Standards for Education (Commonwealth 2005), inherent requirements for this subject are articulated in the Unit Description, Learning Outcomes and Assessment Requirements of this entry. The University is dedicated to provide support to those with special requirements. Further details on the support for students with disabilities or medical conditions can be found at the Access and Inclusion website.

Academic Misconduct

Edith Cowan University has firm rules governing academic misconduct and there are substantial penalties that can be applied to students who are found in breach of these rules. Academic misconduct includes, but is not limited to:

  • plagiarism;
  • unauthorised collaboration;
  • cheating in examinations;
  • theft of other students' work;

Additionally, any material submitted for assessment purposes must be work that has not been submitted previously, by any person, for any other unit at ECU or elsewhere.

The ECU rules and policies governing all academic activities, including misconduct, can be accessed through the ECU website.

MUS1610|2|2