Faculty of Education and Arts

School: WA Academy of Performing Arts

This unit information may be updated and amended immediately prior to semester. To ensure you have the correct outline, please check it again at the beginning of semester.

  • Unit Title

    Classical Ensemble 4
  • Unit Code

    MUS2530
  • Year

    2015
  • Enrolment Period

    1
  • Version

    1
  • Credit Points

    15
  • Full Year Unit

    N
  • Mode of Delivery

    On Campus

Description

In this unit, students further develop their instrumental and/or vocal skills through ensemble rehearsals and performances. They participate in one or more ensembles, which may include chamber music groups, choirs, symphony orchestras, music theatre orchestras, operas, new music groups, and other instrumental ensembles. Emphasis is placed on expanding skills in musicianship, including sight-reading, intonation, phrasing, dynamics, rhythm, and stylistic understanding. Furthermore, students further develop their competency in ensemble playing, teamwork, concert presentation, and professional etiquette. They build upon their skills in self-evaluation, and extend their ability to respond to direction.

Equivalent Rule

Unit was previously coded MUS2517

Learning Outcomes

On completion of this unit students should be able to:

  1. Apply musical skills to a range of rehearsal and performance projects.
  2. Demonstrate a mature understanding of concert presentation and professional etiquette.
  3. Demonstrate highly-developed skills in ensemble playing, teamwork, sight-reading, intonation, phrasing, dynamics, rhythm and stylistic understanding.
  4. Make critical self-evaluations of their own performances and implement appropriate changes for improvement.
  5. Perform effectively in an instrumental and/or vocal ensemble setting.
  6. Respond intelligently to direction.

Unit Content

  1. Critical reflection and self-evaluation.
  2. Ensemble rehearsals and assigned public performances.
  3. Musical exercises and activities designed to develop skills in musicianship and ensemble playing.
  4. Repertoire selected by the unit coordinator and/or Ensemble Director.

Additional Learning Experience Information

Rehearsals, Performances, Workshops

Assessment

GS2 GRADING SCHEMA 2 Used for performance and/or practical based units

Students please note: The marks and grades received by students on assessments may be subject to further moderation. All marks and grades are to be considered provisional until endorsed by the relevant Board of Examiners.

ON CAMPUS
TypeDescription
Performance ^Satisfactory participation in ensemble rehearsals and performances

^ Mandatory to Pass

Text References

  • ^ Repertoire selected by the unit coordinator and/or Ensemble Director
  • Green, E.A. (1987). The dynamic orchestra: Principles of orchestral performance for instrumentalists, conductors and audiences. Englewood Cliffs, NJ: Prentice Hall.
  • Kenny, D.T. (2011). The psychology of music performance anxiety. Oxford, UK: Oxford University Press.
  • Lawson, C. (Ed.). (2003). The Cambridge companion to the orchestra. Cambridge, UK: Cambridge University Press.
  • Willamon, A. (2004). Musical excellence: Strategies and techniques to enhance performance. Oxford, UK: Oxford University Press.
  • Meyer, M. (2011). Cambridge orchestra and ensemble repertoire. Lanham, MD: Scarecrow Press.
  • Read, G. (1993). Compendium of modern instrumental techniques. Westport, CT: Greenwood Press.
  • Rink, J. (Ed.). (2003). Musical performance: A guide to understanding. Cambridge, UK: Cambridge University Press.
  • Spitzer, J. (2005). The birth of the orchestra: History of an institution. New York, NY: Oxford University Press.
  • Watson, A.H. (2009). The biology of musical performance and performance related injury. Lanham, MD: Scarecrow Press.
  • Adey, C. (2009). Orchestral performance: A guide for conductors and players. London, UK: Faber Finds.
  • Quadros, A. (Ed.). The Cambridge companion to choral music. Cambridge, UK: Cambridge University Press.

^ Mandatory reference


Disability Standards for Education (Commonwealth 2005)

For the purposes of considering a request for Reasonable Adjustments under the Disability Standards for Education (Commonwealth 2005), inherent requirements for this subject are articulated in the Unit Description, Learning Outcomes and Assessment Requirements of this entry. The University is dedicated to provide support to those with special requirements. Further details on the support for students with disabilities or medical conditions can be found at the Access and Inclusion website.

Academic Misconduct

Edith Cowan University has firm rules governing academic misconduct and there are substantial penalties that can be applied to students who are found in breach of these rules. Academic misconduct includes, but is not limited to:

  • plagiarism;
  • unauthorised collaboration;
  • cheating in examinations;
  • theft of other students' work;

Additionally, any material submitted for assessment purposes must be work that has not been submitted previously, by any person, for any other unit at ECU or elsewhere.

The ECU rules and policies governing all academic activities, including misconduct, can be accessed through the ECU website.

MUS2530|1|1

Faculty of Education and Arts

School: WA Academy of Performing Arts

This unit information may be updated and amended immediately prior to semester. To ensure you have the correct outline, please check it again at the beginning of semester.

  • Unit Title

    Classical Ensemble 4
  • Unit Code

    MUS2530
  • Year

    2015
  • Enrolment Period

    2
  • Version

    1
  • Credit Points

    15
  • Full Year Unit

    N
  • Mode of Delivery

    On Campus

Description

In this unit, students further develop their instrumental and/or vocal skills through ensemble rehearsals and performances. They participate in one or more ensembles, which may include chamber music groups, choirs, symphony orchestras, music theatre orchestras, operas, new music groups, and other instrumental ensembles. Emphasis is placed on expanding skills in musicianship, including sight-reading, intonation, phrasing, dynamics, rhythm, and stylistic understanding. Furthermore, students further develop their competency in ensemble playing, teamwork, concert presentation, and professional etiquette. They build upon their skills in self-evaluation, and extend their ability to respond to direction.

Equivalent Rule

Unit was previously coded MUS2517

Learning Outcomes

On completion of this unit students should be able to:

  1. Apply musical skills to a range of rehearsal and performance projects.
  2. Demonstrate a mature understanding of concert presentation and professional etiquette.
  3. Demonstrate highly-developed skills in ensemble playing, teamwork, sight-reading, intonation, phrasing, dynamics, rhythm and stylistic understanding.
  4. Make critical self-evaluations of their own performances and implement appropriate changes for improvement.
  5. Perform effectively in an instrumental and/or vocal ensemble setting.
  6. Respond intelligently to direction.

Unit Content

  1. Critical reflection and self-evaluation.
  2. Ensemble rehearsals and assigned public performances.
  3. Musical exercises and activities designed to develop skills in musicianship and ensemble playing.
  4. Repertoire selected by the unit coordinator and/or Ensemble Director.

Additional Learning Experience Information

Rehearsals, Performances, Workshops

Assessment

GS2 GRADING SCHEMA 2 Used for performance and/or practical based units

Students please note: The marks and grades received by students on assessments may be subject to further moderation. All marks and grades are to be considered provisional until endorsed by the relevant Board of Examiners.

ON CAMPUS
TypeDescription
Performance ^Satisfactory participation in ensemble rehearsals and performances

^ Mandatory to Pass

Text References

  • ^ Repertoire selected by the unit coordinator and/or Ensemble Director
  • Green, E.A. (1987). The dynamic orchestra: Principles of orchestral performance for instrumentalists, conductors and audiences. Englewood Cliffs, NJ: Prentice Hall.
  • Kenny, D.T. (2011). The psychology of music performance anxiety. Oxford, UK: Oxford University Press.
  • Lawson, C. (Ed.). (2003). The Cambridge companion to the orchestra. Cambridge, UK: Cambridge University Press.
  • Willamon, A. (2004). Musical excellence: Strategies and techniques to enhance performance. Oxford, UK: Oxford University Press.
  • Meyer, M. (2011). Cambridge orchestra and ensemble repertoire. Lanham, MD: Scarecrow Press.
  • Read, G. (1993). Compendium of modern instrumental techniques. Westport, CT: Greenwood Press.
  • Rink, J. (Ed.). (2003). Musical performance: A guide to understanding. Cambridge, UK: Cambridge University Press.
  • Spitzer, J. (2005). The birth of the orchestra: History of an institution. New York, NY: Oxford University Press.
  • Watson, A.H. (2009). The biology of musical performance and performance related injury. Lanham, MD: Scarecrow Press.
  • Adey, C. (2009). Orchestral performance: A guide for conductors and players. London, UK: Faber Finds.
  • Quadros, A. (Ed.). The Cambridge companion to choral music. Cambridge, UK: Cambridge University Press.

^ Mandatory reference


Disability Standards for Education (Commonwealth 2005)

For the purposes of considering a request for Reasonable Adjustments under the Disability Standards for Education (Commonwealth 2005), inherent requirements for this subject are articulated in the Unit Description, Learning Outcomes and Assessment Requirements of this entry. The University is dedicated to provide support to those with special requirements. Further details on the support for students with disabilities or medical conditions can be found at the Access and Inclusion website.

Academic Misconduct

Edith Cowan University has firm rules governing academic misconduct and there are substantial penalties that can be applied to students who are found in breach of these rules. Academic misconduct includes, but is not limited to:

  • plagiarism;
  • unauthorised collaboration;
  • cheating in examinations;
  • theft of other students' work;

Additionally, any material submitted for assessment purposes must be work that has not been submitted previously, by any person, for any other unit at ECU or elsewhere.

The ECU rules and policies governing all academic activities, including misconduct, can be accessed through the ECU website.

MUS2530|1|2