Faculty of Education and Arts

School: WA Academy of Performing Arts

This unit information may be updated and amended immediately prior to semester. To ensure you have the correct outline, please check it again at the beginning of semester.

  • Unit Title

    Techniques of Composition
  • Unit Code

    MUS2607
  • Year

    2015
  • Enrolment Period

    1
  • Version

    2
  • Credit Points

    10
  • Full Year Unit

    N
  • Mode of Delivery

    On Campus

Description

This unit is discusses the techniques developed by composers to manipulate musical parameters in their work. It includes discussion of extensions of tonal harmony, and post-tonal approaches such as serialism, stochasticism and indeterminacy. Aspects of musical perception will also be discussed. Relevant examples from a wide range of composers will be referenced. Students explore these concepts through the creation of original works. Students also attend a composer workshop where they will hear students' composition work, visiting artists and demonstrations.

Prerequisite Rule

Students must pass 1 units from MUS1615

Learning Outcomes

On completion of this unit students should be able to:

  1. Demonstrate collaborative process for working with other media.
  2. Demonstrate introductory composition techniques through composition.
  3. Describe and distinguish between contemporary compositional techniques and concepts.
  4. Evaluate musical performances.
  5. Identify seminal modern composers, composition techniques and recordings.

Unit Content

  1. An introduction to the compositional manipulation of musical parameters.
  2. Creation of original music for specific media.
  3. Techniques of extended tonal harmony, and post-tonal approaches.
  4. The role of music perception in compositional techniques.

Additional Learning Experience Information

Lectures, Workshops, Rehearsals, Performances.

Assessment

GS1 GRADING SCHEMA 1 Used for standard coursework units

Students please note: The marks and grades received by students on assessments may be subject to further moderation. All marks and grades are to be considered provisional until endorsed by the relevant Board of Examiners.

ON CAMPUS
TypeDescriptionValue
Creative WorkComposition Assignment 150%
Creative WorkComposition Assignment 250%

Text References

  • ^ Vella, R. (2003). Musical environments, a manual for listening, composing. Sydney: Currency Press.
  • Cope, D. (2001). New directions in music. (7th ed.). USA: Waveland.
  • Austin, L., Clark. (1989). Learning to compose - modes, amterials and models of musical invention. WV Brown.
  • Cope, D. (1977). New music composition, USA: Schirmer.

^ Mandatory reference


Disability Standards for Education (Commonwealth 2005)

For the purposes of considering a request for Reasonable Adjustments under the Disability Standards for Education (Commonwealth 2005), inherent requirements for this subject are articulated in the Unit Description, Learning Outcomes and Assessment Requirements of this entry. The University is dedicated to provide support to those with special requirements. Further details on the support for students with disabilities or medical conditions can be found at the Access and Inclusion website.

Academic Misconduct

Edith Cowan University has firm rules governing academic misconduct and there are substantial penalties that can be applied to students who are found in breach of these rules. Academic misconduct includes, but is not limited to:

  • plagiarism;
  • unauthorised collaboration;
  • cheating in examinations;
  • theft of other students' work;

Additionally, any material submitted for assessment purposes must be work that has not been submitted previously, by any person, for any other unit at ECU or elsewhere.

The ECU rules and policies governing all academic activities, including misconduct, can be accessed through the ECU website.

MUS2607|2|1

Faculty of Education and Arts

School: WA Academy of Performing Arts

This unit information may be updated and amended immediately prior to semester. To ensure you have the correct outline, please check it again at the beginning of semester.

  • Unit Title

    Techniques of Composition
  • Unit Code

    MUS2607
  • Year

    2015
  • Enrolment Period

    2
  • Version

    2
  • Credit Points

    10
  • Full Year Unit

    N
  • Mode of Delivery

    On Campus

Description

This unit is discusses the techniques developed by composers to manipulate musical parameters in their work. It includes discussion of extensions of tonal harmony, and post-tonal approaches such as serialism, stochasticism and indeterminacy. Aspects of musical perception will also be discussed. Relevant examples from a wide range of composers will be referenced. Students explore these concepts through the creation of original works. Students also attend a composer workshop where they will hear students' composition work, visiting artists and demonstrations.

Prerequisite Rule

Students must pass 1 units from MUS1615

Learning Outcomes

On completion of this unit students should be able to:

  1. Demonstrate collaborative process for working with other media.
  2. Demonstrate introductory composition techniques through composition.
  3. Describe and distinguish between contemporary compositional techniques and concepts.
  4. Evaluate musical performances.
  5. Identify seminal modern composers, composition techniques and recordings.

Unit Content

  1. An introduction to the compositional manipulation of musical parameters.
  2. Creation of original music for specific media.
  3. Techniques of extended tonal harmony, and post-tonal approaches.
  4. The role of music perception in compositional techniques.

Additional Learning Experience Information

Lectures, Workshops, Rehearsals, Performances.

Assessment

GS1 GRADING SCHEMA 1 Used for standard coursework units

Students please note: The marks and grades received by students on assessments may be subject to further moderation. All marks and grades are to be considered provisional until endorsed by the relevant Board of Examiners.

ON CAMPUS
TypeDescriptionValue
Creative WorkComposition Assignment 150%
Creative WorkComposition Assignment 250%

Text References

  • ^ Vella, R. (2003). Musical environments, a manual for listening, composing. Sydney: Currency Press.
  • Cope, D. (2001). New directions in music. (7th ed.). USA: Waveland.
  • Austin, L., Clark. (1989). Learning to compose - modes, amterials and models of musical invention. WV Brown.
  • Cope, D. (1977). New music composition, USA: Schirmer.

^ Mandatory reference


Disability Standards for Education (Commonwealth 2005)

For the purposes of considering a request for Reasonable Adjustments under the Disability Standards for Education (Commonwealth 2005), inherent requirements for this subject are articulated in the Unit Description, Learning Outcomes and Assessment Requirements of this entry. The University is dedicated to provide support to those with special requirements. Further details on the support for students with disabilities or medical conditions can be found at the Access and Inclusion website.

Academic Misconduct

Edith Cowan University has firm rules governing academic misconduct and there are substantial penalties that can be applied to students who are found in breach of these rules. Academic misconduct includes, but is not limited to:

  • plagiarism;
  • unauthorised collaboration;
  • cheating in examinations;
  • theft of other students' work;

Additionally, any material submitted for assessment purposes must be work that has not been submitted previously, by any person, for any other unit at ECU or elsewhere.

The ECU rules and policies governing all academic activities, including misconduct, can be accessed through the ECU website.

MUS2607|2|2