Faculty of Education and Arts
School: WA Academy of Performing Arts
This unit information may be updated and amended immediately prior to semester. To ensure you have the correct outline, please check it again at the beginning of semester.
Unit Title
Classical Ensemble 5
Unit Code
MUS3507
Year
2015
Enrolment Period
1
Version
2
Credit Points
10
Full Year Unit
N
Mode of Delivery
On Campus
Description
In this unit, students further develop advanced instrumental and/or vocal skills through ensemble rehearsals and performances. They participate in one or more ensembles, which may include chamber music groups, choirs, symphony orchestras, music theatre orchestras, operas, new music groups, and other instrumental ensembles. Emphasis is placed on the development of high-level competence in musicianship, as well as an understanding of historical performance practices and keys to successful musical interpretation. Students advance their skills in ensemble playing, teamwork, concert presentation and professional etiquette, develop their capacity for self-evaluation, and build an understanding of rehearsal processes and strategies.
Prerequisite Rule
Students must pass 1 units from MUS2517
Learning Outcomes
On completion of this unit students should be able to:
- Apply advanced musical skills to a range of rehearsal and performance projects.
- Demonstrate a mature understanding of concert presentation and professional etiquette.
- Demonstrate advanced skills in ensemble playing, teamwork, sight-reading, intonation, phrasing, dynamics, rhythm and stylistic understanding.
- Demonstrate an understanding of rehearsal processes and strategies.
- Make critical self-evaluations of their own performances and implement appropriate changes for improvement.
- Perform effectively in an instrumental and/or vocal ensemble setting.
- Respond intelligently to direction.
Unit Content
- Advanced skills in musicianship and ensemble playing.
- Critical reflection and self-evaluation.
- Ensemble rehearsals and assigned public performances.
- Historical performance practices.
- Keys to successful musical interpretation.
- Repertoire selected by the Unit Co-ordinator and/or Ensemble Director.
Additional Learning Experience Information
Rehearsals, Performances, Workshops.
Assessment
GS4 GRADING SCHEMA 4 Used for undifferentiated pass/fail units
Students please note: The marks and grades received by students on assessments may be subject to further moderation. All marks and grades are to be considered provisional until endorsed by the relevant Board of Examiners.
ON CAMPUSType | Description |
---|
Practicum | Satisfactory participation in ensemble rehearsals and performances |
Text References
- ^ Repertoire selected by the Unit Co-ordinator and/or Ensemble Director
- Green, E.A. (1987). The dynamic orchestra: Principles of orchestral performance for instrumentalists, conductors, and audiences. Englewood Cliffs, NJ: Prentice Hall.
- Kenny, D.T. (2011). The psychology of music performance anxiety. Oxford, UK: Oxford University Press.
- Lawson, C. (Ed.). (2003). The Cambridge companion to the orchestra. Cambridge, UK: Cambridge University Press.
- Willamon, A. (2004). Musical excellence: Strategies and techniques to enhance performance. Oxford, UK: Oxford University Press.
- Meyer, M. (2011). Chamber orchestra and ensemble repertoire. Lanham, MD: Scarecrow Press.
- Read, G. (1993). Compendium of modern instrumental techniques. Westport, CT: Greenwood Press.
- Rink, J. (Ed.). (2003). Musical performance: A guide to understanding. Cambridge, UK: Cambridge University Press.
- Spitzer, J. (2005). The birth of the orchestra: History of an institution. New York, NY: Oxford University Press.
- Watson, A.H. (2009). The biology of musical performance and performance related injury. Lanham, MD: Scarecrow Press.
- Adey, C. (2009). Orchestral performance: A guide for conductors and players. London, UK: Faber Finds.
- Quadros, A. (Ed.). The Cambridge companion to choral music. Cambridge, UK: Cambridge University Press.
^ Mandatory reference
Disability Standards for Education (Commonwealth 2005)
For the purposes of considering a request for Reasonable Adjustments under the Disability Standards for Education (Commonwealth 2005), inherent requirements for this subject are articulated in the Unit Description, Learning Outcomes and Assessment Requirements of this entry. The University is dedicated to provide support to those with special requirements. Further details on the support for students with disabilities or medical conditions can be found at the Access and Inclusion website.
Academic Misconduct
Edith Cowan University has firm rules governing academic misconduct and there are substantial penalties that can be applied to students who are found in breach of these rules. Academic misconduct includes, but is not limited to:
- plagiarism;
- unauthorised collaboration;
- cheating in examinations;
- theft of other students' work;
Additionally, any material submitted for assessment purposes must be work that has not been submitted previously, by any person, for any other unit at ECU or elsewhere.
The ECU rules and policies governing all academic activities, including misconduct, can be accessed through the ECU website.
MUS3507|2|1
Faculty of Education and Arts
School: WA Academy of Performing Arts
This unit information may be updated and amended immediately prior to semester. To ensure you have the correct outline, please check it again at the beginning of semester.
Unit Title
Classical Ensemble 5
Unit Code
MUS3507
Year
2015
Enrolment Period
2
Version
2
Credit Points
10
Full Year Unit
N
Mode of Delivery
On Campus
Description
In this unit, students further develop advanced instrumental and/or vocal skills through ensemble rehearsals and performances. They participate in one or more ensembles, which may include chamber music groups, choirs, symphony orchestras, music theatre orchestras, operas, new music groups, and other instrumental ensembles. Emphasis is placed on the development of high-level competence in musicianship, as well as an understanding of historical performance practices and keys to successful musical interpretation. Students advance their skills in ensemble playing, teamwork, concert presentation and professional etiquette, develop their capacity for self-evaluation, and build an understanding of rehearsal processes and strategies.
Prerequisite Rule
Students must pass 1 units from MUS2517
Learning Outcomes
On completion of this unit students should be able to:
- Apply advanced musical skills to a range of rehearsal and performance projects.
- Demonstrate a mature understanding of concert presentation and professional etiquette.
- Demonstrate advanced skills in ensemble playing, teamwork, sight-reading, intonation, phrasing, dynamics, rhythm and stylistic understanding.
- Demonstrate an understanding of rehearsal processes and strategies.
- Make critical self-evaluations of their own performances and implement appropriate changes for improvement.
- Perform effectively in an instrumental and/or vocal ensemble setting.
- Respond intelligently to direction.
Unit Content
- Advanced skills in musicianship and ensemble playing.
- Critical reflection and self-evaluation.
- Ensemble rehearsals and assigned public performances.
- Historical performance practices.
- Keys to successful musical interpretation.
- Repertoire selected by the Unit Co-ordinator and/or Ensemble Director.
Additional Learning Experience Information
Rehearsals, Performances, Workshops.
Assessment
GS4 GRADING SCHEMA 4 Used for undifferentiated pass/fail units
Students please note: The marks and grades received by students on assessments may be subject to further moderation. All marks and grades are to be considered provisional until endorsed by the relevant Board of Examiners.
ON CAMPUSType | Description |
---|
Practicum | Satisfactory participation in ensemble rehearsals and performances |
Text References
- ^ Repertoire selected by the Unit Co-ordinator and/or Ensemble Director
- Green, E.A. (1987). The dynamic orchestra: Principles of orchestral performance for instrumentalists, conductors, and audiences. Englewood Cliffs, NJ: Prentice Hall.
- Kenny, D.T. (2011). The psychology of music performance anxiety. Oxford, UK: Oxford University Press.
- Lawson, C. (Ed.). (2003). The Cambridge companion to the orchestra. Cambridge, UK: Cambridge University Press.
- Willamon, A. (2004). Musical excellence: Strategies and techniques to enhance performance. Oxford, UK: Oxford University Press.
- Meyer, M. (2011). Chamber orchestra and ensemble repertoire. Lanham, MD: Scarecrow Press.
- Read, G. (1993). Compendium of modern instrumental techniques. Westport, CT: Greenwood Press.
- Rink, J. (Ed.). (2003). Musical performance: A guide to understanding. Cambridge, UK: Cambridge University Press.
- Spitzer, J. (2005). The birth of the orchestra: History of an institution. New York, NY: Oxford University Press.
- Watson, A.H. (2009). The biology of musical performance and performance related injury. Lanham, MD: Scarecrow Press.
- Adey, C. (2009). Orchestral performance: A guide for conductors and players. London, UK: Faber Finds.
- Quadros, A. (Ed.). The Cambridge companion to choral music. Cambridge, UK: Cambridge University Press.
^ Mandatory reference
Disability Standards for Education (Commonwealth 2005)
For the purposes of considering a request for Reasonable Adjustments under the Disability Standards for Education (Commonwealth 2005), inherent requirements for this subject are articulated in the Unit Description, Learning Outcomes and Assessment Requirements of this entry. The University is dedicated to provide support to those with special requirements. Further details on the support for students with disabilities or medical conditions can be found at the Access and Inclusion website.
Academic Misconduct
Edith Cowan University has firm rules governing academic misconduct and there are substantial penalties that can be applied to students who are found in breach of these rules. Academic misconduct includes, but is not limited to:
- plagiarism;
- unauthorised collaboration;
- cheating in examinations;
- theft of other students' work;
Additionally, any material submitted for assessment purposes must be work that has not been submitted previously, by any person, for any other unit at ECU or elsewhere.
The ECU rules and policies governing all academic activities, including misconduct, can be accessed through the ECU website.
MUS3507|2|2